Tuesday, May 23, 2017

Tyrant's Throne - Sebastien De Castell

Tyrant’s Throne is the fourth and final entry in Sebastien De Castell’s “Greatcoats” quartet. I’ve been a big fan of the series. It combines an energetic and adventurous buccaneering style with moments of great emotional intensity and honesty. I’m desperately sad to see the series end – but can safely say it went out in style.

Following the previous instalment, Falcio and his band of Greatcoats are getting ready to put Aline, the daughter of their murdered king, onto the throne of Tristia. It’s not an easy process. We’re shown the political factions which swarm around Tristia, most of them seemingly motivated by self-interest. None of them are particularly keen on Aline – but they’re coming around to holding their noses and accepting her, because the alternative is even more civil unrest in a country which has been tormented by uprisings and other chaos for years. Still, politics isn’t the natural battleground for Greatcoats – they have a tendency to stab and/or shoot arrows at things. The atmosphere is febrile, to say the least.
Fortunately, in between the deal-making, another threat has raised its head.  Those outside the borders of Tristia are eyeing up the real estate. There’s a whole world outside the nation we’ve spent three books in, and if we only get to see a little of it this time around, I can safely say that as a culture, it’s excellently crafted. The traditions and society of the outside world are sympathetically and plausibly drawn – they are not a thoughtless antagonist, but one where the conflict is drawn out from cultural differences, and the social changes that we’ve seen in previous books in the series. If you can’t sympathise with the potential threat, you can certainly empathise with them.

If the world is being thrown open to broader horizons, the characters are their well established selves. Brasti, who can’t stop running his mouth, even whilst putting arrows into people, and Kest, the laconic, nigh undefeatable shieldman are here, backing Falcio, our long running protagonist. The relationship between the trip remains an absolute joy. The banter is sometimes caustic, often hilarious, and occasionally exposes the raw trust which they each have in the others. The dialogue thus remains fresh, funny, but often surprisingly affecting – these are people who have known each other a long time, faced men and gods together, and, in the end, aren’t inclined to lie to each other or to themselves. There’s some final threads that get resolved here, which have vexed loyal readers for years (how *did* Falcio beat Kest and become First Cantor in the first place?); but there’s also some refreshing revelations as well. If the wit helps mask the raw intensity of the emotional payload, that make it no less real – and the prose gives it strength and surprising clarity. As Falcio and his oldest friends work out who they are and where they stand, I was wrenched between delighted laughter and utter heartbreak in every other line.

In honesty, this was a book whose dialogue and relationships gave me more than one belly laugh, and also left me in tears. I can’t give a stronger recommendation than that.

The plot – well, it starts slowly, with the aforementioned politicking. It’s interesting stuff, and the tension builds to keep you turning pages. But there’s a lot more going on here. Without spoilers, I’d suggest that the stakes have never been higher for Falcio and his band. There’s some effectively, terrifyingly drawn battles, and duels that left me with my heart in my mouth. This is a story of resilience, and of friendship, of love and trust – and the consequences of those things. There’ blood and steel, but in the end, this is about shaping the world, and perhaps more importantly, the people we care about within it.

Would I recommend it? If you’ve not read the Greatcoats before now, I’d say you need to get on that first. If you’re wondering whether to finish it though, this is an unequivocal yes. Get on that. Get the book, read the book. It’s a conclusion which relies on what came before, but uses that emotional depth and connection to provide an absolutely brilliant payoff. Read it – you won’t be disappointed.

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